Dancers: Vicci Viles and Alice Moran
Two parallel lines provided the starting point for this investigation. The lines were approximately 3 x 0.5metres which created a long, thin performance space. This session threw up lots of different questions for me which I am still digesting:
- Does movement have more 'value' when you can see less of it?
- What concerns need to be considered when choreographing for the disappearing body?
- Does light help to highlight the skeletal system? (at moments in the material the clavicle, humerus and mandible all seem to be sharply defined)
- Does light increase our visual perception of width and depth?
- Do we perceive an increased sense of speed if a movement passes through structured light sources such as a beam or a column?
No comments:
Post a Comment